Its on the cloudy and cool side this morning. I decided to have coffee and do some writing from Queen Malika over on 18th and Eureka in the Castro. I managed to finish the sixth rewrite of my short story tentatively titled Nightmare on Valencia Street last night. This was the first complete revision – i.e. before that I had managed to write the one original story, then each subsequent revision was started but aborted part-way through as I decided to change some critical aspect or other which meant starting afresh.
Does the term writer’s block include the inability to divine what the meaning and theme of a story will be? Or is it restricted to inability to put words to LCD? I have been frustrated by having many paragraphs committed to paper, really really great ones(!), that had to be cut or re-purposed as the intent of the story gradually shifted during the revision process. Its now a very different story than it started out. The story is intended as a submission to a queer horror anthology, and is meant to be a southern gothic story but set in San Francisco.
I thought that San Francisco’s Mission neighborhood filled with often elaborate but dilapidated Victorian houses set amidst grit, grime and taco shops might be an interesting setting. Add in hot humid weather, and psychological tension brimming in the main character, a recent runaway from the rural South, and I imagined the story might work.
The story started off very dark, and I thought too dark, in terms of what caused the tension in the main character. Too much to handle in a short story. I decided to cut the whole meth addict mother, drunk father, childhood rape backstory. Instead I substituted a poor but well meaning father, with the conflict and tension stemming from an incident which leaves the main character with a choice: either come out to his father, or runaway and leave his father and the small town wondering if he had committed a horrific act of crueltly to his own dog. He runs away, sure his father will disown him and unwilling to face being out in his small town. He hitchhikes to San Francisco.
The story takes place within a couple days of his arrival. He has brought with him from the South an unusual heat wave, complete with nighttime thunder and lightning which sets a bit of the southern gothic atmosphere to the story. That along with the main character’s constant headache provide the metaphor for the character’s repressed tension over his decision to runaway and avoid his real life. Over the course of the couple days our character runs into an old man named Harvey, who could be the ghost of Harvey Milk or alternately just a crazy homeless man. Whichever, the man plays the key role in making our character face his true decision head on. This is done in a dream-cum-nightmare sequence in the spooky garage apartment in which our character is crashing temporarily. Of course the denouement finds our character deciding that his best decision is to face life head on, and, invoking the romantic gay activist Justin from QAF, begins his reversal by placing what promises to be a fateful call to his father.
So, that’s the current version synopsis which is a very different story from where it began a week ago. I am almost sick of this story now! But, it still requires plenty more review and editing. I don’t know if I will drop this and begin something else and come back to this when I can attack it ‘cold’ again, or whether that might just engender further perhaps needless flux in structure or plot. I feel I am too close to it now.
On a different not, a (cute) pajama-clad bed-headed guppie/yuppie pulled up in his Range Rover today into the red zone by Queen Malika, parked and came in to order two lattes to go. It caused a lot of giggling among the senior morning discussion group afterwards.